The film StereoEssays / Five or six stereoscopic essays in search of a narrative is a high-tech audiovisual essay that explores ultra-definition stereoscopic images. As in the legendary Views of the Guanabara Bay (1898), considered the first Brazilian movie, made by the Segreto brothers, Rio de Janeiro is once again the focus of pioneering cameras. The difference now is that the views can be observed in three dimensions and ultra-high definition. The film is divided into five acts, plus a prologue and an epilogue. The prologue and Act I more explicitly portray the idea of views of Rio de Janeiro, with wide-angle aerial and marine shots of Sugarloaf Mountain, the Rio-Niterói bridge and the Guanabara Bay. Trucks, cranes and ships all elements in gigantic moving proportions. In 3D, the stereoscopic space is formed against the backdrop of the continuously moving machines
Português - Brasil
English
